When Quiet Hopes Come

Charles W. Thomas Jr., photographer

Selected advance readers of Giving Back have begun sharing their commentary on the book over the last week. With an easy willingness, both strangers and acquaintances known widely for intense work and demanding itineraries have, one by one, agreed to read my 400-page manuscript. That astounds me. And then, after reading the work, one responds with these words . . .

“Through a rich tapestry of voices and images, including inspirational interviews, stunning photographs, thoughtful commentary, and wide-ranging quotations, Giving Back captures the essence and generosity of African American donors as never before.  No one—including the leaders of non-profit organizations—could fail to be moved and enlightened by these vivid reminders of the potential of African American philanthropy.

“The book is beautiful and so inspirational, I now know what I will be getting everyone as a Christmas present!”

Michele Minter, Vice President for Development, The College Board

Still over the moon.

— VF

A Thousand Words Spoken

“Every artist dips his brush in his own soul, and paints his own nature into his pictures.” — Henry Ward Beecher

Today is the birthday of Charles W. Thomas, Jr., the photographer for Giving Back. I’m taking the occasion to publicly thank Charles for collaborating with me on this project. Our dispositions and skill-sets proved a good match; however, it was a shared pride in our cultural heritage and love of our community’s stories that defined our work together. (Though, my loyalties as a Tarheel might rightfully be questioned for working so well with a Duke grad! Sorry about that.)

Still an amazingly vivid memory, my initial conversation with Charles happened almost four years ago. We had crossed paths professionally, but neither of us truly knew the other or had never even had a one-on-one conversation. Months earlier, I had conceived of and mapped out the book project and was now in search of a photographer.

I wanted to find someone who would approach the project with an artist’s eye and could capture the striking beauty of our people and our stories. Knowing of his affiliation with The Light Factory Contemporary Museum of Photography and Film, Charles had been on my list of prospective photographers, and several people in Charlotte’s arts community also had suggested I meet with him.

During our meeting, I unfolded my vision of the book and shared notes from a concept paper. Charles held an amused look as I rambled on about what I envisioned and the timeline and the resources and the logistics for making it happen. He expressed his past desire to pursue a similar concept. As we talked further, there was clear alignment of our values and artistic aspirations.

A crucial move, choosing Charles as my photography partner on the project was no doubt divinely inspired. His collaboration has been a God-sent steadying force—from his initial blind faith in my vision to his level-headedness, patience, professionalism and generosity. During the photo shoots, he established a trusting rapport with each person and thus captured telling images. He also was easy about the unexpected twists and turns of the project and the constant stream of ideas coming from me.

You will soon see, in each of the 180 photographs featured in Giving Back, a thousand words spoken not only about every subject but also about the wide soul and genius nature of Charles Thomas.

Thank you and have a happy birthday Charles!

— VF

Story in Today’s Philanthropy Journal

My giving circle, New Generation of African American Philanthropists and our book project featured in Philanthropy Journal (7.12.11): http://bit.ly/CLTgivingcircle.

Rich Aunt

An excerpted vignette story from the forthcoming book Giving Back: A Tribute to Generations of African American Philanthropists

A soup kitchen?  The morning my mother called with news that a great-aunt had begun organizing free daily meals in a fragile part of town is as vivid to me today as it was nearly twenty years ago.

Expectations of service are handed down like heirlooms in my family, and Aunt Dora figured prominently in a long line of givers. Even so, I had never imagined such a bold move or demanding commitment from my grandmother’s reserved younger sister. Widowed and seventy-something at the time, Aunt Dora had selflessly looked after people her entire life as a mother, grandmother, foster mother, den mother and church pastor. I was at a loss as to why she was launching a community food program on the heels of her retirement from the church. Hadn’t she given enough? Wasn’t it time to pull back?  To the contrary: It was precisely at this point she sought to commit herself anew.

I later learned it was in meditation during a silent spiritual retreat that Aunt Dora received the answer to her quest. “Feed the hungry” was her directive, and she founded Our Daily Bread Kitchen Inc. Since that day the kitchen has flourished and now serves free meals to over ten thousand people a year. Aunt Dora’s ongoing, obedient responses—constructing a larger, new facility and preparing meals, still, as she nears ninety—have removed any of my questions about the ceaseless bounty of service for fortunate heirs.

— VF

“If you can’t feed a hundred people, then feed just one.” —  Mother Teresa

Reframing portraits of philanthropy