Introducing the Black Philanthropy Month 2017 Poster
For the first time, a Black Philanthropy Month poster was commissioned to help inspire Black giving and advance our movement to shape 21st century philanthropy.
For the first time, a Black Philanthropy Month poster was commissioned to help inspire Black giving and advance our movement to shape 21st century philanthropy.
Black Philanthropy Month is a multimedia campaign to inform, involve, inspire and invest in Black philanthropic leadership. This year’s focal concept is Giving Voice to Fuel Change.
FROM THE BPM 2017 MEDIA RELEASE
Entering its seventh year of observance, Black Philanthropy Month (BPM 2017) is an unprecedented campaign during August to strengthen African-descent giving in all its forms.
Dr. Jackie Copeland-Carson, founder of Black Philanthropy Month and Pan African Women’s Philanthropy Network (PAWPNet) offers a litany of unjust events around the world and contends, “Black people are at a crossroads.” She further asserts, “This year we’ll celebrate our giving past while reviving Black giving as a collective movement for social change. Look for opportunities to join PAWPNet and support high-impact projects that, with your support, can build a better future in this new period of injustice and struggle for our communities everywhere. Black giving matters!”
Attacks on our nation’s progress in areas of voting rights, LGBTQ equality, women’s health, criminal justice, educational opportunity, economic power and more are emblematic of what’s occurring around the globe. These assaults demand we give voice to injustice and, collectively, dedicate resources to turn the tide and assert our rights, interests and humanity.
As a campaign, BPM 2017 comprises activities—online and in communities—to inspire people to advocate and to give in strategic ways that transform policies, systems and lives for the better. The public is encouraged to participate by hosting self-organized events, charitable fundraising activities and community conversations. To spark ideas on how you can participate, visit BlackPhilanthropyMonth.com.
BPM 2017 happenings that promote philanthropic investments and conscious giving in our communities are planned in cities, coast to coast. Included among these are a special exhibition of The Soul of Philanthropy with the Smithsonian National Museum of African American History & Culture at the 2017 Association of African American Museums conference in Washington, DC, plus a pop-up exhibition at the University of Kentucky. Slated to spotlight philanthropy across the African Diaspora are gatherings in such communities as New York City, the Bay Area, Chicago, Atlanta and Columbia, SC. These and other observances led by foundations, nonprofit agencies, cultural institutions, giving circles, media and individuals will be featured on BlackPhilanthropyMonth.com.
Tracey Webb, founder of Black Benefactors and an architect of the annual campaign, says, “This year’s Black Philanthropy Month will inspire givers to ignite change at the local level, in addition to supporting initiatives nationally and internationally. Powerful shifts happen with collective action, and BPM 2017 is set to fuel connections and amplify voices that will shape our future.”
Founded by Dr. Jackie Copeland-Carson of the Pan African Women’s Philanthropy Network and recognized by the United Nations and Congress in August 2011, Black Philanthropy Month was created as an annual, global celebration of African-descent giving in the United States and worldwide. Principal partners on the campaign are Jackie Copeland-Carson, Tracey Webb and Valaida Fullwood. For a full listing of sponsors, visit BlackPhilanthropyMonth.com.
To stay connected, like the BPM Facebook page and follow these hashtags on social media: #BPM2017 #givingvoice
As the Harvey B. Gantt Center for African American Arts & Culture revs up for its major fundraiser, Jazzy Holiday Gala 2017—which, by the way, will be the COOLEST ever—here are some photos and the new sizzle reel from Jazzy 2016 (thanks to the most-talented Ben Premeaux!). After such an awesomely rosy and red hot event last year, I can’t wait to share with you my ideas for Jazzy 2017!
Please watch and enjoy the sizzle reel! https://youtu.be/gcTtXhqN3rA
On the last day of Women’s History Month, it’s fitting to pay tribute here to the magnanimous muse of Giving Back: A Tribute to Generations of African American Philanthropists, my great aunt Dora—now 96 years old and as vibrant as ever. The piece below, The Face That Launched a Thousand Days, is about Aunt Dora and was first published by Indiana University the year I was named “Lake Distinguished Visitor.”
392 manuscript pages
76 quotes from the ages
200 narratives on what it means to give back
180 portraits of everyday Black philanthropists
4 centuries of an American legacy rooted in Africa
999,999 reasons to give
1 book that reframes portraits of philanthropy
Muse seems a fitting description for Aunt Dora. Hers is the face that launched a thousand-day odyssey and twenty-five thousand words. The generosity of my 92-year-old great-aunt inspired me to embark on developing the book Giving Back: A Tribute to Generations of African American Philanthropists. Giving Back is a 400-page hardcover publication filled with revealing stories and artful photography about traditions of giving within Black communities. In prose, poetry and portraiture, my great-aunt’s philanthropy and that of 199 other benefactors of African descent fill every page.
When the idea for the book took hold of me, little did I know that seeing it through and publishing it would require a high-wire walk of faith, spanning four-and-half years or one thousand days—well, 1621 days to be exact. With each day that passed, the vision for Giving Back grew so clear it haunted me. The pathway, however, grew obscured by episodes of frustration and weariness from setbacks.
On those clouded, dark days, brightening my steps like bursts of light from a beacon were the narratives and biographies of the people I was chronicling. In a twist, the volume of stories that I was inspired to start writing had come to speak volumes to me and thus supplied inspiration to complete the book. Being immersed in accounts of “lovers of humankind”—their aspirations, motivations and tribulations—compelled me to push on.
Fittingly, the story of my original source of inspiration and great-aunt, Rev. Dora Atlas, opens Giving Back. After reading “Rich Aunt,” indeed, you will see that she is a great aunt in deed. The book’s collection of stories and photographs forever altered my thinking and my work in philanthropy, and I expect it could have the same effect on you.
Shared here is a TEDx video of my faith-fueled story of philanthropy, identity and epiphany that produced Giving Back.
VIDEO: A Picture Reframed | http://youtu.be/CZ9k18BzDV8
“What are you doing to serve?”
In celebration of Women’s History Month, a tiny question with huge implications is shared from Giving Back. The question is from a story by Meka Sales in memory of her mother Shirley Oliver Nelson—an excellent example of generousness.
Read Meka’s full story: “An Excellent Example,” Giving Back: A Tribute to Generations of African American Philanthropists (pp. 148-149).
— dimeji onafuwa (@casajulie) January 7, 2017
Friday night, The Soul of Philanthropy exhibit opens in Portland, Oregon!
Joy swells and overwhelms me when I think about evolution of an idea I had 10 years ago: to reframe portraits of philanthropy with love.
MRG Foundation is bringing the exhibition to Portland and mounting it at Concordia University. My friend Dimeji Onafuwa, the book designer for Giving Back and graphic designer for The Soul of Philanthropy, now lives in Portland and is this exhibition’s designer. Photos below show Dimeji and his team installing pieces in the library’s gallery space at Concordia.
I’m grateful to all of MRG Foundation’s community supporters, which include: Concordia University, The Collins Foundation, Grantmakers of Oregon and SW Washington, KBOO Community Radio, Meyer Memorial Trust, Moda Health, Multnomah County Cultural Coaltion, The Oregonian Media Group, Spirit Mountain Community Fund, Street Roots and Willamette Valley Development Officers.
For MRG Foundation, presenting The Soul of Philanthropy is an opportunity to share its story publicly and welcome new supporters, donors and friends into its work. MRG believes that “giving is an act of social justice” and recognizes that throughout history communities whose needs are not being met by traditional sources eventually come together and build their own systems.
An aim of bringing the exhibition to Portland is making connections with individuals and groups who are rethinking philanthropy and building the structures and support they need outside of conventional means.
This year the Jazzy Holiday Gala was organized around the idea of art & soul, conveying the unique and vital role the Harvey B. Gantt Center for African-American Arts + Culture plays in Charlotte’s artistic and cultural scene and in the lives of youth, artists, educators, families and others, in communities near and far. Together at The Center was the evening’s mantra.
Jazzy is an elegant black-tie gala and major fundraiser of the Gantt Center. After three decades, it’s become a holiday tradition in Charlotte. For the past five years, I’ve been the creative strategist/event consultant for Jazzy. Photos from past events can be seen here and here and here. As with each year, I approached the event as a large-scale art project, beginning with an organizing concept through which an important narrative from the Gantt Center can be told. Then I built out the concept from the color palette to visual design to key messages and scripting to art forms and media to the presenters to the flow of the evening.
This year, art & soul emerged as perfect because the Gantt Center is a state-of-the-art building located in the heart of Charlotte, and it carries a mission to preserve African American culture and to present art in all its forms. Its location holds particular significance because it stands in what was once the thriving, predominately Black neighborhood of Brooklyn. In innumerable ways, the Gantt Center embodies Charlotte’s heart, art and soul.
On Saturday, December 3, more than 700 guests gathered at the Charlotte Convention Center and helped raise $300,000 to advance the Gantt Center’s mission, which keeps art & soul alive and thriving in Charlotte. The event’s Presenting Sponsor was Bank of America. Gala Co-Chairs were Dr. Tiffani Jones & Thaddeus Jones and Allison & Tim Atwell, who led a Host Committee that included: Ned Austin, Victor Fields, Joan Higginbotham, Charles Horton, Michelle Horton, Jerri Irby, Alene Paraison, Yandrick Paraison and Natalie Pittman.
2016 Spirit of the Center Award recipients were: PNC (corporate citizenship and partnership); Richard J. Powell, Ph.D. of Duke University (art and culture); and Mrs. Sarah Stevenson, a founding board member of the Gantt Center (philanthropy and community).
The gala opened at 6:00 pm with an hour-long cocktail reception and was followed by dinner, award presentations, art & soul impact stories, an appeal for membership, music by Al Jasper & Friends and dancing. Membership was the focus of the evening’s fundraising appeal. Throughout the evening, gala attendees were urged to becoming a new member, renew a membership, upgrade a membership and “gift” membership for others. The aim was for every guest to purchase a membership.
A live rose wall served as the event’s focal centerpiece. Guests posed in front of a backdrop of 1,000s of red rose blossoms as photographer Jon Strayhorn took beautiful portraits (see some of Jon’s photos below). A wall of windows outside the ballroom were transformed into a photography exhibition with artful images by Ortega Gaines. A sleek program booklet comprised colorful photographs, indicative of the Gantt Center’s art & soul.
But one glorious night, Jazzy celebrates what the Gantt Center carries out nearly 365 days a year, why it has garnered community support for 42 years, and how it works to shape the future by engaging generation after generation. Whether it’s art and soul, young and old, global and local, or black, white and brown, we come together at The Center.
View the photo slideshow by clicking an image.
Charles Thomas and me signing books at a recent exhibition of The Soul of Philanthropy at Duke University, which is Charles’ alma mater.
Six years ago, Charles and I began exploring the idea of an museum exhibition on philanthropy, based on the yet released stories and photography of Giving Back: A Tribute to Generations of African American Philanthropists. While it took four years more, before we—in collaboration with NGAAP-Charlotte and Johnson C. Smith University—realized that vision with The Soul of Philanthropy Reframed and Exhibited, we’ll claim releasing seeds of this idea into the ethosphere.
Fast forward to a year ago, just after #GivingTuesday, I was reading this story in The Chronicle of Philanthropy about Bill Gates, Warren Buffett and David Rubenstein funding an endowed curatorship at the Smithsonian National Museum of American History (NMAH) to create a series of exhibitions on the history and future of American philanthropy.
Since the article referenced only billionaire white men (and a few women in the context of being their wives), I wondered whether the NMAH exhibitions would be narrowly framed to present only conventional and predictable pictures of “American philanthropy”. Would traditions of philanthropy in communities of color be told? Would the generosity and impact of people of modest means get included? Would stories of philanthropic women and giving circles be shared?
Quick to climb on my bandwagon, I reached out to learn more about NMAH’s “The Philanthropy Initiative” and to ask questions to ensure a vivid and inclusive and soulful account of philanthropy in America was an aim. Thanks to a network of kind connectors—A’Lelia Bundles, Aviva Kempner and Fath Ruffins—I made some gains.
So on this #GivingTuesday (and hopefully many more to come), I’m traveling to Washington, DC for “The Power of Giving: Philanthropy’s Impact on American Life”—an invitation-only symposium with philanthropists, environmentalists, thought leaders and social innovators to discuss the past, present, and future of American giving. Such programs are slated, annually, for decades to come and the focus this year is “Sustainability and The Environment”. Tuesday’s schedule launches with the opening of the Smithsonian’s first-ever, long-term exhibition GIVING IN AMERICA. We’re in the room, and there’s more to come.
“All the forces in the world are not so powerful as an idea whose time has come.” — Victor Hugo
Below are more photos are from the exhibition of The Soul of Philanthropy Reframed (abridged edition) at Duke University’s Mary Lou Williams Center for Black Culture. Coincidently, the Duke University exhibition was made possible by support from financier David Rubenstein, who chairs Duke’s Board of Trustees and also is one of the funders of the NMAH exhibition.
Today’s Black Friday and with Cyber Monday and Giving Tuesday coming up soon, take a look at these HEARTWORK t-shirts, modeled by the lovely Dr. Angela Logan.
You can give a gift with a message that helps give rise to a new generation of conscious givers. Inspired by The Soul of Philanthropy exhibit, HEARTWORK carries socially conscious messages, eco-friendly organic fabrics and artfully designed products.
Angela is the first person to purchase and then post photos of her HEARTWORK apparel via social media. She sported not one but two of my favorite t-shirts—the Giving Back tee and the Truth Be Told tee. Her tweets and pics from an ARNOVA conference in DC were right on time!
Socially Conscious Messages • Eco-Friendly Organic Fabrics • Artfully Designed Products
A: The Soul of Philanthropy! #getyourgiveon
National Coffee Day is the perfect occasion to share a preview glimpse of another item in the new heARTwork product line, which is inspired by The Soul of Philanthropy exhibit! Plus, I’m thrilled that The Soul of Philanthropy, Pop-Up, Abridged Edition will soon open at Duke University’s Mary Lou Williams Center for Black Culture.
My cup runneth over.