“The messages in your book and the work of the Community Investment Network are critical today. Local African American donors and others are replicating the early investments that our ancestors made in building the United States. 21st century technological innovations and the resulting economic shifts obligate us to rebuild our communities from the inside out. We must all invest in places where we live, work and worship—the places that we love.
“Thank you for reminding each of us that strong democratic communities require all to give time, talent and money. Our families, institutions and communities are depending on us.”
— Linetta J. Gilbert, co-leader of The Declaration Initiative and longstanding CIN supporter, in response to my recent interview on The Tavis Smiley Show about Black philanthropy and Giving Back.
Shifting from ‘Me’ to Movement of Conscientious Philanthropy
Listen to my recent conversation with Tavis Smiley about Black philanthropy and Giving Back on his nationally syndicated radio program, The Tavis Smiley Show.
During the interview, Tavis questions whether any hope remains in rekindling a spirit of compassion and generosity in a culture that seems to be degenerating and glorifying a me-and-mine mentality. Hear my response . . . and then share yours here.
The book Giving Back is a centerpiece of the Giving Back Project, which aims to ignite a movement of conscientious philanthropy by empowering a generation to recognize their power and responsibility to give back.
The interview airs on The Tavis Smiley Show through Friday, May 25. Tune in and then share the link and your thoughts. — VF
Reason and Rhymes
April is National Poetry Month and I’m taking the occasion to acknowledge and thank the poets—those in spirit and those in practice—who contributed important concepts and content to Giving Back.
While wrapping up the book’s content during spring 2010, about a year and a half before the public release of Giving Back, I asked a couple of close friends who are ardent readers to review and provide feedback on my near-final manuscript.
One friend in particular (we’ll call her ML) commented that it would be great if the book contained more than prose. To paraphrase, as I recollect it, she said, “You should include some kind of stream-of-consciousness, free-flowing, spoken word-like narratives.”
Huh? Hmm? What?!?!
After trudging through a litany of Herculean tasks, which included years of carefully collecting and curating content and meticulously crafting stories, that bit of feedback was far from well received.
Weaving in poetry was a valid suggestion—if fact, a brilliant one—but the protracted book-writing process had left me so thin-skinned that ML’s otherwise benign comment felt like a brutal assault on my long labor of love. “Apparently, what I’ve slaved to create is insufficient,” I sulked. Perplexed and seething in silence, I never asked ML to explain her rationale nor did I share my irritation.
Though pouting is admittedly an unflattering trait, the emotional churning served to heat up my creative juices and resulted in potent new content. (Call it poetic injustice
) ML’s casual suggestion had fueled this overachiever’s resolve: If she thinks poems are needed, then poems she will have! I promptly reached out to one poet and reached within for the other.
“Q”, a highly regarded poet and friend, had developed a spoken-word piece on philanthropy years prior for an event I organized. At my request, Q polished up the poem in writing, titled it and kindly submitted it for the book project. Entrancing as well as enlightening, “Full Circle” aptly closes Giving Back.
Ava, the other poet, seemed to come out of nowhere with a couple of spot-on new poems for the book. Timid initially, Ava and her poetry evolved, both becoming surprisingly bolder with encouragement from my friends and guidance from Q.
“Truth Be Told,” a poem expressly written by Ava for Giving Back, opens the book and has become a crowd-pleaser at book events. Even so, there was a time when I questioned whether her work was a good fit. Emphatic feedback from ML, Q and another friend, RG, made it clear that Ava’s poem merited not only inclusion but also prominent placement in Giving Back.
After reading “Truth Be Told,” RG gushed about it and wrote, “I want schoolchildren to read this poem!”
Q emailed a response I treasure most: “Ok . . . so the poem is DOPENESS!!! That last stanza is fiyah!”
I’ll wrap up by finally thanking ML for her discerning critique and by sharing another of Ava’s pieces. This one, haiku that’s featured in Giving Back.
Gave away my soul.
Giving back to get it back
Given what I know.
Ava Wood
Why and how are you giving back with your time, talent and treasure? — VF
Soul. Oh!
“Dreams are illustrations from the book your soul is writing about you.” ― Marsha Norman
Through the book Giving Back, we venture to dream a bigger dream and to ignite a movement of conscientious philanthropy by empowering a generation of Americans to recognize their power and responsibility to give back. ― VF
watered
Sold Out.
Yep. Due to steady public demand, we’ve sold out the first printing of Giving Back and a second printing is underway. This fact thrills me almost as much as releasing the book in October 2011. (Note: If you want a copy before June, there are still a limited number available at bookstores, online and for specific events.)
Back in December, we realized our supply would run out quicker than anticipated since we were distributing 100 books a week on average. So at the start of 2012, we put brakes on marketing and promoting Giving Back while we scrambled to devise a plan to print at least another 1500 books.
I find it ironic that reaching sold-out status in just months is largely attributed to our not selling out the original vision for the book. It should be noted that the term sellout—as in a betrayal of principles—is one I generally choose to steer clear of. I don’t indulge in second-guessing the motives behind somebody else’s artistic decisions, but I will refer to the term here while reflecting on my own creative experience.
Without benefit of a famous author or a celebrity foreword contributor or well-known faces in portrait or rich-people stories or a corporate marketing machine or even a commercial publishing deal, Giving Back has nonetheless stirred interest among readers and sold out quickly.
Remarkable sums up what we’ve accomplished. The collective “we” in this instance comprises Charles Thomas and me, members of NGAAP-Charlotte, Casajulie, Buppy Hipster PR and our sponsoring partners, project participants, donors, family, friends and, of course, book buyers. I credit the book’s promising start to an uncompromising stance on compiling stories we knew were worth telling and a dogged pursuit of our vision.
During my 1621-day push to produce Giving Back, every day seemed to hand deliver a temptation to narrow my scope, drop expectations, clip corners…or to just cut myself some slack. Those options certainly looked the easiest and less painful. Actually quitting appeared the sanest choice of all. Despite the pressure, existential struggle and odds, I chose, or better still, surrendered to that which my soul seemed intent to seek.
Gifts that come at inopportune times are still gifts. The mixed fortune of conceiving Giving Back carried an obligation to see it through without underestimating its value. The experience, though brutal as it was at times, showed me how humility, hard work and the hand of a higher source can transform the ethereal into the real. At first sight of the final, hardcover version, my soul sighed and smiled in satisfaction. Giving Back is the perfect manifestation of a beautiful idea gifted to me years prior and stands as a tangible affirmation of my and others’ stewardship.
Truths revealed on the pages of Giving Back are key to it becoming sold out. I gave my best to usher the content into the spotlight and, once there, humanity undeniably shone through the portraits and stories. I cannot sell the idea that publishing a book and pursuing your passions are easy. From the start, my plan lay clear but the path was not. My circumstances while navigating the book’s development swung between circus and chaos. Tight-wire walker, trapeze flyer, lion tamer, fire-eater, juggler and ringmaster, I took on an endless stream of roles for nearly five years to get this book done and eventually did it.
The experience has left me unwilling to judge others who choose a smoother path. I will, however, attest to the joy of being a grateful receiver of gifts, of not selling yourself short and of putting your soul out there to satisfy its search. I found that when I dropped giving up from the options, my gifts—those given and those received—multiplied. VF
On Doing Good Work
“…there is much more to doing good work than ‘making a difference.’ There is the principle of first do no harm. There is the idea that those who are being helped ought to be consulted over the matters that concern them.” — Teju Cole, author, photographer and art historian
As a friend noted today, there’s a lot to unpack in Teju Cole’s article titled “The White Savior Industrial Complex” and featured in The Atlantic. That’s an understatement, particularly when you begin comparing and contrasting the layered stereotypes, indignities and pain characterizing both the Kony 2012 campaign and the Trayvon Martin shooting. Cole’s incisive commentary stirs questions about where we choose to see injustice and why, when and how we take action in struggles for justice.
What Cole observes about the bleaching of our civic discourse, how certain voices are pushed to the margins and others amplified and the perils of failing to “think constellationally” are at the core of my current interests in philanthropy. My struggle with such issues led me to pen Giving Back. The book brings to the forefront seldom-heard voices, with authenticity and respect, to reveal important perspectives at the nexus of justice, philanthropy and progress. Through Giving Back, I aspire to enliven and deepen public discourse on these matters. I believe that community-led strategies strengthened by philanthropy that is inclusive, responsive and respectful are central to “good work.”
— VF
Keen Line of Sight on Philanthropy
Everyday givers from African American communities have an acute line of vision and insightful stories to tell; yet these perspectives are often absent from dialogue and decisions in philanthropy.
Narratives about community and mutuality are woven into Black culture and influence how many people see the world, choose to give and define success.
Through storytelling and photography, Giving Back reveals motivations, reflects proud traditions and relays a wisdom about giving and generosity that has newfound relevance today.
Giving Back gives glimpses of the change we wish to see in the world and provides a springboard for deeper conversations on inclusive and responsive philanthropy. — VF
‘Stunning example of populist philanthropy’
“African American philanthropy is a stunning example of ‘populist philanthropy.’ We as a people have been able to demonstrate how philanthropy is a form of relationship with others that everyone can practice. Children to seniors in our community have a long history of giving selflessly to those we know intimately as well as to total strangers. I am very proud of our cultural history as philanthropists!”
— Jennifer Henderson, a kind contributor of narratives for Giving Back








